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Available on HoloLens. Mobile device. Xbox Description Follows a talented, young getaway driver who relies on the beat of his personal soundtrack to be the best in the game. Cast and crew.
Edgar Wright Director, Writer. Ansel Elgort Baby. It's not that music is added later to match the action sequences, the action and even the actors' movements were meant to be synchronized with it.
Music, as pretentious as this sounds, really is as major a character in the film as Baby, Debora, Doc, Buddy, Bats, Darling, etc, etc. This is something that they discuss on some of the special features, but music, as a result of Baby's tinnitus which causes him to depend on music to drown it out before it becomes something that he can't live without, is how he sees the world.
So, naturally, it would make sense that the things that happen to him or the members of the gang he is reluctantly a part of would be set to music. Music is also explored as Baby's security blanket and something he uses to feel connected to his mother, who died in an car accident when he was younger. So his relationship with music, even more than his budding romance with Debora, is key to moving the story forward to where they want it to go.
Story is simple, Baby stole Doc's car and to pay off the debt, Baby has been his getaway driver for every subsequent heist for, seemingly, years. Baby is almost squared off with Doc at the film's beginning. He does one more job for him and, he thinks, he's finally out.
Prior to this he meets a young lady at a diner that he's been infatuated with and their relationship goes from there. At a later point, naturally, Baby is forced back into this world that he thought he finally had left behind.
The movie works in large part because it is so fucking well-written. This shouldn't surprise you if you've followed Wright's career. But sometimes, even knowing of someone's pedigree, you still expect certain things from movies prior to going into them. I honestly didn't expect to be as into the characters that inhabit this film's world as I was. Baby is a great character, but he's almost got this tragic aspect to him where, in spite of his outward and charming appearance, he's someone who's clearly got a lot that weighs on him in his mind.
I think that makes the character someone who's easier to relate to and, naturally, you're rooting for him, and Debora, right from the start. Naturally, a heist film isn't a heist film without an ensemble cast and let me tell you that they chose a pretty damn fucking great one.
Kevin Spacey, the pervert that he is, is still a supremely talented fucking actor and he's great here. His relationship with Baby is also one of the highlights in that while he's still very much a threatening presence, there's still sort of a father-son relationship between them. Doc, at the end, reveals himself to not be so bad after all in how he looks after Baby. Bats is probably my favorite character in the film, he's just a murderous maniac who tries to intimidate Baby every chance he gets.
Baby, naturally, is never once in fear of Bats. I think Bats is my favorite not only because he's batshit insane, but because Jamie Foxx is actually phenomenal in the role.
Baby is the lead character and he's the driving force get it of the movie, but Bats is memorable in every scene he's in. He meets an unexpected end, but it works. Buddy and Darling are also very strong characters in that their relationship is based on lust as Buddy, after losing his stockbroker job, is suffering from a midlife crisis. These two, or Darling at least, are just a notch below Bats in terms of their insanity, but they're still memorable characters.
Naturally, in a movie like this, there's a botched heist, which is when the movie really kicks into high gear. Everything after this point is intense, fast-paced and exciting. Let's just say that Baby makes a decision that, naturally, leads to everyone turning against him and he has to go on the run from Buddy, who, friendly at first, has now decided to murder him as a result of Baby's actions and the consequences thereof.
As I mentioned, the entire third act of the film is just tremendous. Fun, exciting, tense. Just an all-around blast of a film really. At first, between the second and last heist, I felt that the movie slowed down a bit. In retrospect, I was quite wrong about that, because this is when the movie really starts to explore its characters and their motivations.
If it isn't for this 'down' time between heists, the movie might not have been as great as it ended up being. You just wouldn't have been as invested in these characters if there wasn't that time between the second and last heists to let everything sink in.
To explore that small glimpse of hope that Baby has that he's finally out of the life and move on with his beloved to wherever the road may take them, as much of a cliche that is. I don't think you'd want that for Baby and Debora if they didn't get a small glimpse of it before it's taken away from them. That's not possible if the film moves from heist to heist to heist with no breathing room in between.
So, naturally, this is smartly put together. This just feels like the type of movie that will only keep amassing more and more of a cult following as the years pass. Oh, and of course, I don't think I've mentioned this, but the soundtrack is fantastic. It'd almost have to be given the fact that the entire movie is choreographed around the soundtrack. If it wasn't obvious, I was a big fan of this and I would gladly recommend it.
Not just if you enjoy Edgar Wright flicks, just if you enjoy cinema in general. Really great stuff right here. Jesse O Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie.
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